David Herbert Lawrence

Vaguely she knew she was out of connexion: she had lost touch with the

substantial and vital world. Only Clifford and his books, which did not

exist...which had nothing in them! Void to void. Vaguely she knew. But it

was like beating her head against a stone.

Her father warned her again: `Why don't you get yourself a beau,

Connie? Do you all the good in the world.'

That winter Michaelis came for a few days. He was a young Irishman who

had already made a large fortune by his plays in America. He had been taken

up quite enthusiastically for a time by smart society in London, for he

wrote smart society plays. Then gradually smart society realized that it had

been made ridiculous at the hands of a down-at-heel Dublin street-rat, and

revulsion came. Michaelis was the last word in what was caddish and

bounderish. He was discovered to be anti-English, and to the class that made

this discovery this was worse than the dirtiest crime. He was cut dead, and

his corpse thrown into the refuse can.

Nevertheless Michaelis had his apartment in Mayfair, and walked down

Bond Street the image of a gentleman, for you cannot get even the best

tailors to cut their low-down customers, when the customers pay.

Clifford was inviting the young man of thirty at an inauspicious moment

in thyoung man's career. Yet Clifford did not hesitate. Michaelis had the

ear of a few million people, probably; and, being a hopeless outsider, he

would no doubt be grateful to be asked down to Wragby at this juncture, when

the rest of the smart world was cutting him. Being grateful, he would no

doubt do Clifford `good' over there in America. Kudos! A man gets a lot of

kudos, whatever that may be, by being talked about in the right way,

especially `over there'. Clifford was a coming man; and it was remarkable

what a sound publicity instinct he had. In the end Michaelis did him most

nobly in a play, and Clifford was a sort of popular hero. Till the reaction,

when he found he had been made ridiculous.

Connie wondered a little over Clifford's blind, imperious instinct to

become known: known, that is, to the vast amorphous world he did not himself

know, and of which he was uneasily afraid; known as a writer, as a

first-class modern writer. Connie was aware from successful, old, hearty,

bluffing Sir Malcolm, that artists did advertise themselves, and exert

themselves to put their goods over. But her father used channels ready-made,

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