He lifts his shoulders and spreads his hands with that gesture of
finality and fatality, while his face takes the blank, ageless look of
misery, like a monkey's. There is no hope. There is the present. Either
that is enough, the present, or there is nothing.
I sat and looked at the lake. It was beautiful as paradise, as the first
creation. On the shores were the ruined lemon-pillars standing out in
melancholy, the clumsy, enclosed lemon-houses seemed ramshackle, bulging
among vine stocks and olive trees. The villages, too, clustered upon
their churches, seemed to belong to the past. They seemed to be
lingering in bygone centuries.
'But it is very beautiful,' I protested. 'In England--'
'Ah, in England,' exclaimed the padrone, the same ageless, monkey-like
grin of fatality, tempered by cunning, coming on his face, 'in England
you have the wealth--_les richesses_--you have the mineral coal and the
machines, _vous savez_. Here we have the sun--'
He lifted his withered hand to the sky, to the wonderful source of that
blue day, and he smiled, in histrionic triumph. But his triumph was only
histrionic. The machines were more to his soul than the sun. He did not
know these mechanisms, their great, human-contrived, inhuman power, and
he wanted to know them. As for the sun, that is common property, and no
man is distinguished by it. He wanted machines, machine production,
money, and human power. He wanted to know the joy of man who has got the
earth in his grip, bound it up with railways, burrowed it with iron
fingers, subdued it. He wanted this last triumph of the ego, this last
reduction. He wanted to go where the English have gone, beyond the Self,
into the great inhuman Not Self, to create the great unliving creators,
the machines, out of the active forces of nature that existed
before flesh.
But he is too old. It remains for the young Italian to embrace his
mistress, the machine.
I sat on the roof of the lemon-house, with the lake below and the snowy
mountain opposite, and looked at the ruins on the old, olive-fuming
shores, at all the peace of the ancient world still covered in sunshine,
and the past seemed to me so lovely that one must look towards it,
backwards, only backwards, where there is peace and beauty and no more
dissonance.
I thought of England, the great mass of London, and the black, fuming,
laborious Midlands and north-country. It seemed horrible. And yet, it
was better than the padrone, this old, monkey-like cunning of fatality.
It is better to go forward into error than to stay fixed inextricably
in the past.
Yet what should become of the world? There was London and the industrial
counties spreading like a blackness over all the world, horrible, in the
end destructive. And the Garda was so lovely under the sky of sunshine,
it was intolerable. For away, beyond, beyond all the snowy Alps, with
the iridescence of eternal ice above them, was this England, black and
foul and dry, with her soul worn down, almost worn away. And England was
conquering the world with her machines and her horrible destruction of
natural life. She was conquering the whole world.
And yet, was she not herself finished in this work? She had had enough.
She had conquered the natural life to the end: she was replete with the
conquest of the outer world, satisfied with the destruction of the Self.
She would cease, she would turn round; or else expire.
If she still lived, she would begin to build her knowledge into a great
structure of truth. There it lay, vast masses of rough-hewn knowledge,
vast masses of machines and appliances, vast masses of ideas and
methods, and nothing done with it, only teeming swarms of disintegrated
human beings seething and perishing rapidly away amongst it, till it
seems as if a world will be left covered with huge ruins, and scored by
strange devices of industry, and quite dead, the people disappeared,
swallowed up in the last efforts towards a perfect, selfless society.
_3_
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