David Herbert Lawrence

pleased with himself. In his world, as in a fish's, there was but

his own swimming self: and if he chanced to have something swimming

alongside and doing him credit, why, so much the more complacently

he smiled.

He walked stiff and erect, with his head pressed rather back, so

that he always seemed to be advancing from the head and shoulders,

in a flat kind of advance, horizontal. He did not seem to be walking

with his whole body. His manner was oddly gallant, with a gallantry

that completely missed the individual in the woman, circled round

her and flew home gratified to his own hive. The way he raised his

hat, the way he inclined and smiled flatly, even rather excitedly,

as he talked, was all a little discomforting and comical.

He left her at the shop door, saying:

"I shall see you again, I hope."

"Oh, yes," she replied, rattling the door anxiously, for it was

locked. She heard her father's step at last tripping down the shop.

"Good-evening, Mr. Houghton," said Albert suavely and with a certain

confidence, as James peered out.

"Oh, good-evening!" said James, letting Alvina pass, and shutting

the door in Albert's face.

"Who was that?" he asked her sharply.

"Albert Witham," she replied.

"What has _he_ got to do with you?" said James shrewishly.

"Nothing, I hope."

She fled into the obscurity of Manchester House, out of the grey

summer evening. The Withams threw her off her pivot, and made her

feel she was not herself. She felt she didn't know, she couldn't

feel, she was just scattered and decentralized. And she was rather

afraid of the Witham brothers. She might be their victim. She

intended to avoid them.

The following days she saw Albert, in his Norfolk jacket and flannel

trousers and his straw hat, strolling past several times and looking

in through the shop door and up at the upper windows. But she hid

herself thoroughly. When she went out, it was by the back way. So

she avoided him.

But on Sunday evening, there he sat, rather stiff and brittle in the

old Withams' pew, his head pressed a little back, so that his face

and neck seemed slightly flattened. He wore very low, turn-down

starched collars that showed all his neck. And he kept looking up at

her during the service--she sat in the choir-loft--gazing up at her

with apparently love-lorn eyes and a faint, intimate smile--the sort

of _je-sais-tout_ look of a private swain. Arthur also occasionally

cast a judicious eye on her, as if she were a chimney that needed

repairing, and he must estimate the cost, and whether it was worth

it.

Sure enough, as she came out through the narrow choir gate into

<<BackPagesTo menuForward>>