David Herbert Lawrence

ladies--everything James handled was for ladies, he scorned the coarser

sex--: weird and wonderful winter coats for ladies, of thick, black,

pockmarked cloth, stood and flourished their bear-fur cuffs in the

background, while tippets, boas, muffs and winter-fancies coquetted in

front of the window-space. Friday-night crowds gathered outside: the

gas-lamps shone their brightest: James Houghton hovered in the

background like an author on his first night in the theatre. The

result was a sensation. Ten villages stared and crushed round the plate

glass. It was a sensation: but what sensation! In the breasts of the

crowd, wonder, admiration, _fear_, and ridicule. Let us stress the word

fear. The inhabitants of Woodhouse were afraid lest James Houghton

should impose his standards upon them. His goods were in excellent

taste: but his customers were in as bad taste as possible. They stood

outside and pointed, giggled, and jeered. Poor James, like an author on

his first night, saw his work fall more than flat.

But still he believed in his own excellence: and quite justly. What

he failed to perceive was that the crowd hated excellence. Woodhouse

wanted a gently graduated progress in mediocrity, a mediocrity so

stale and flat that it fell outside the imagination of any sensitive

mortal. Woodhouse wanted a series of vulgar little thrills, as one

tawdry mediocrity was imported from Nottingham or Birmingham to take

the place of some tawdry mediocrity which Nottingham and Birmingham

had already discarded. That Woodhouse, as a very condition of its

own being, hated any approach to originality or real taste, this

James Houghton could never learn. He thought he had not been clever

enough, when he had been far, far too clever already. He always

thought that Dame Fortune was a capricious and fastidious dame, a

sort of Elizabeth of Austria or Alexandra, Princess of Wales,

elegant beyond his grasp. Whereas Dame Fortune, even in London or

Vienna, let alone in Woodhouse, was a vulgar woman of the middle and

lower middle-class, ready to put her heavy foot on anything that was

not vulgar, machine-made, and appropriate to the herd. When he saw

his delicate originalities, as well as his faint flourishes of

draper's fantasy, squashed flat under the calm and solid foot of

vulgar Dame Fortune, he fell into fits of depression bordering on

mysticism, and talked to his wife in a vague way of higher

influences and the angel Israfel. She, poor lady, was thoroughly

scared by Israfel, and completely unhooked by the vagaries of James.

At last--we hurry down the slope of James' misfortunes--the real

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