David Herbert Lawrence

did not appear till twenty to three, and he often found his boy sitting

beside Fanny, talking, or drawing, or singing with the girls.

Often, after a minute's hesitation, Fanny would begin to sing. She had a

fine contralto voice. Everybody joined in the chorus, and it went well.

Paul was not at all embarrassed, after a while, sitting in the room with

the half a dozen work-girls.

At the end of the song Fanny would say:

"I know you've been laughing at me."

"Don't be so soft, Fanny!" cried one of the girls.

Once there was mention of Connie's red hair.

"Fanny's is better, to my fancy," said Emma.

"You needn't try to make a fool of me," said Fanny, flushing deeply.

"No, but she has, Paul; she's got beautiful hair."

"It's a treat of a colour," said he. "That coldish colour like earth,

and yet shiny. It's like bog-water."

"Goodness me!" exclaimed one girl, laughing.

"How I do but get criticised," said Fanny.

"But you should see it down, Paul," cried Emma earnestly. "It's simply

beautiful. Put it down for him, Fanny, if he wants something to paint."

Fanny would not, and yet she wanted to.

"Then I'll take it down myself," said the lad.

"Well, you can if you like," said Fanny.

And he carefully took the pins out of the knot, and the rush of hair, of

uniform dark brown, slid over the humped back.

"What a lovely lot!" he exclaimed.

The girls watched. There was silence. The youth shook the hair loose

from the coil.

"It's splendid!" he said, smelling its perfume. "I'll bet it's worth

pounds."

"I'll leave it you when I die, Paul," said Fanny, half joking.

"You look just like anybody else, sitting drying their hair," said one

of the girls to the long-legged hunchback.

Poor Fanny was morbidly sensitive, always imagining insults. Polly was

curt and businesslike. The two departments were for ever at war, and

Paul was always finding Fanny in tears. Then he was made the recipient

of all her woes, and he had to plead her case with Polly.

So the time went along happily enough. The factory had a homely feel.

No one was rushed or driven. Paul always enjoyed it when the work got

faster, towards post-time, and all the men united in labour. He liked to

watch his fellow-clerks at work. The man was the work and the work was

the man, one thing, for the time being. It was different with the girls.

The real woman never seemed to be there at the task, but as if left out,

waiting.

From the train going home at night he used to watch the lights of the

town, sprinkled thick on the hills, fusing together in a blaze in the

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